Established in 1929, the South African Institute of Race Relations (SAIRR) is one of the longest-standing independent research bodies dedicated to race and minority rights in South Africa. The Ford Foundation began to support the SAIRR in 1953, a few years after the start of apartheid in 1948 and the passage of the Group Areas Act of 1950. In a grant recommendation memo, Ford Foundation staff described the SAIRR as “one of the few moderating influences in the current dispute.”“The Institute’s Work” Grant #05300202. Ford Foundation records, Rockefeller Archive Center.
Ford Foundation trustees approved the grant at their December 1952 meeting.
Writing about the grant’s progress a year later, SAIRR Director Quintin Whyte wrote to Ford program officer Edwin Arnold, “This last year has been extraordinarily hard and we have been so hard at work that some of us wondered whether we could continue to take the strain.” Nevertheless, he assessed:
“We have made appreciable contributions towards easing South Africa’s difficulties.”Quoted in Edwin G. Arnold to John B. Howard (January 15, 1954), Grant #05400170. Ford Foundation records, Rockefeller Archive Center.
Rachel Wimpee is Associate Director for Research & Engagement at the Rockefeller Archive Center. She holds an interdisciplinary PhD in French literature and French studies, with research interests in gender, cultural representation, and the role private giving plays in social change.
From demonstration farms launched when farming was still unmechanized to confronting climate change in the twenty-first century, American philanthropy has played a key role in shaping and supporting efforts to lift rural communities out of poverty through agriculture.
This set of reports cites records from the Ford Foundation and the Rockefeller Foundation, as well as the papers of Robert Kokernot and Kenneth Smithburn.
Asia Society’s first public exhibition in 1960, “Masterpieces of Asian Art in American Collections,” launched decades of exhibitions aimed at bringing Asian arts and cultures to American audiences. Photos show the broad range of diverse media and geographical areas represented in the exhibition.
