Portrait of Baldwin from the Ford Foundation Collection
In 1959, James Baldwin was already recognized as a talented writer, but he needed financial support to finish a novel he was working on, which explored issues of race, homosexuality, and the urban environment.
The Ford Foundation had recently created a Humanities and Arts program, and awarded Baldwin a $12,000 creative writers’ fellowship.Foundation-Administered Project (FAP) #05900121. Program for Creative Writers. Ford Foundation grants FA732C, RAC.
The result was the long acclaimed and path-breaking novel, Another Country. A 1962 letter preserved in the archives spells out the significance of this gesture of support to Baldwin’s life and career.Baldwin, James. Ford Foundation records, American Literary Manuscripts FA718, Box 1, Folder 1, RAC.
Baldwin wrote:
“[H]ad it not been for the Ford Grant, I would either be tearing up until now, or I would have abandoned it. […] An abandoned novel can act as an obstruction which will destroy one’s writing life. For a writer, the destruction of his writing life is exactly the same thing as the destruction of his life.”
In 1970, Governor Nelson Rockefeller and the Museum of Primitive Art found themselves at the center of a delicate diplomatic negotiation over an allegedly stolen piece of Mayan art.
Nelson Rockefeller’s personal collection of indigenous art – and the museum he founded to share it – would eventually become a vital addition to the Metropolitan Museum of Art’s “encyclopedic” collection.
Rachel Wimpee is Associate Director for Research & Engagement at the Rockefeller Archive Center. She holds an interdisciplinary PhD in French literature and French studies, with research interests in gender, cultural representation, and the role private giving plays in social change.
In 1970, Governor Nelson Rockefeller and the Museum of Primitive Art found themselves at the center of a delicate diplomatic negotiation over an allegedly stolen piece of Mayan art.
This edition’s set of reports reflects researchers’ use of the records from the Ford Foundation, the Population Council, and the Rockefeller Foundation. Also cited are the personal papers of Laurance S. Rockefeller.
Nelson Rockefeller’s personal collection of indigenous art – and the museum he founded to share it – would eventually become a vital addition to the Metropolitan Museum of Art’s “encyclopedic” collection.